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  • Compact Disc (CD) + Digital Album

    6 panel wallet with 2 CDs and 16 page booklet

    Includes unlimited streaming of ORDO via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Free pdf booklet included
    Purchasable with gift card

      $10 USD  or more

     

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Ordo 19:48
Eulogy from a Physicist You want a physicist to speak at your funeral. You want the physicist to talk to your grieving family about the conservation of energy, so they will understand that your energy has not died. You want the physicist to remind your sobbing mother about the first law of thermodynamics; that no energy gets created in the universe, and none is destroyed. You want your mother to know that all your energy, every vibration, every BTU of heat, every wave of every particle that was her beloved child remains with her in this world. You want the physicist to tell your weeping father that amid energies of the cosmos, you gave as good as you got. And at one point you’d hope that the physicist would step down from the pulpit and walk to your brokenhearted spouse there in the pew and tell him/her that all the photons that ever bounced off your face, all the particles whose paths were interrupted by your smile, by the touch of your hair, hundreds of trillions of particles, have raced off like children, their ways forever changed by you. And as your widow rocks in the arms of a loving family, may the physicist let him/her know that all the photons that bounced from you were gathered in the particle detectors that are her/his eyes, that those photons created within her/him constellations of electromagnetically charged neurons whose energy will go on forever. And the physicist will remind the congregation of how much of all our energy is given off as heat. There may be a few fanning themselves with their programs as he says it. And he will tell them that the warmth that flowed through you in life is still here, still part of all that we are, even as we who mourn continue the heat of our own lives. And you’ll want the physicist to explain to those who loved you that they need not have faith; indeed, they should not have faith. Let them know that they can measure – that scientists have measured – precisely the conservation of energy and found it accurate, verifiable, and consistent across space and time. You can hope your family will examine the evidence and satisfy themselves that the science is sound and that they’ll be comforted to know your energy’s still around. According to the law of the conservation of energy, not a bit of you is gone; you’re just less orderly. © Aaron Freeman, 2005. Ronin Institute, Chicago Society for Neuroscience. Used by permission. Vis physici loqui ad tua funera. Vis physici vestri loqui doloribus suis de industria conservationem, sic erit intelligendum, quod industria non mortuus est. Vis physici ad memoriam vestri singultus mater de prima lex thermodynamics; quod non virtute fit creavit in mundo, et nemo est destructa. Vis tuum et matrem scire, quod omnium vestrum navitas, omnis tremor, omnis BTU calor, omnis unda omnis particula, quod erat ei dilectus filius manet eius in hoc mundo. Vis physici tua dicere fletus pater, quod inter vires mundi, te dedit, ut bonum quod habes. Et ad unum punctum velis spem physici esset gradus descendit de pulpitum, et ire ad tua fractos corde sponsi non in banco, et dices ad eum/eam quod omnes photons, quod semper surrexitque faciem tuam, omnes particulas, quorum semitas erant interrumpitur per tuum risu, per tactum capillorum, centum trillions of particulis, effuso, sicut filii, eorum mores semper mutatur per te. Et ut viduam saxa in armis pia familia, ut physici eum/eam scire, quod omnes photons, quod surrexit a te erant congregati in particula detectores, qui sunt eius oculis, quod eorum photons creavit in eam/eum stellis de electromagnetica praecepit neurons, cuius industria perpetuum. Et physici suggeret congregatio, quantum ex omnibus viribus nostris data est, ut calor. Ut sit ibi paucos ruere se cum eorum rationes, ut ipse dicit. Et vult dicere, quod calor qui fluxit per te in vita hie est, tamen pars, et omnia, quae sunt, sicut nos qui lugent continue calor nostra vivit. Et vos mos volo physici explicare iis, qui dilexit vos, quod illi opus non habere fidem; immo, non debet habere fidem. Exspectare potes familiam tuam argumenta examinare et sibi satisfacere quod scientia sana sit et se consolari ad cognoscendum industriam tuam circa adhuc esse. Vos spes familia tua requiram testimonium et sati. Secundum legem conservationis industriae nihil a vobis abest; tu minus ordinatus es. — Sung in Latin. Translated by Philip Blackburn, 2023
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Albi 21:29
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Over Again 09:46
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Unearthing 03:55
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Stuck 02:32
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Kenneth Gaburo: Letter to Petrassi SYNOPSIS Sad to hear that Petrassi can no longer read or write, Kenneth often thinks of the Tanglewood orchestral performance from his student days. At the University of Illinois he founded the New Music Choral Ensemble to begin investigating the voice and music as language. His first wife became insane and in 1968 he went to the University of California-San Diego; his eventual resignation led to many problems, but he stuck to his principles. He moved to the Anzo Borrego desert, started Lingua Press publishers and studied ecological systems. In 1982 his friend Peter Todd Lewis died so he moved to the University of Iowa Experimental Studios against his better judgment. He again found more institutional corruption and resigned again. He plans to start a big new alternative school for cognitive studies (for chaos, holism, political, and phenomenological studies). He introduces Antiphony IX (a dot is no mere thing) for Orchestra, Children and Tape (its desert-like stasis and random qualities) and Antiphony VIII (Revolution), a psychodrama for Percussionist and Tape on the theme of human expendibility in the event of nuclear war. He apologizes for his rusty Italian and sends all good wishes. In a post-script he mentions that Antiphony VIII will be broadcast on Radio Italia.

about

“Holding an acoustic mirror up to nature.” Environmental sound artist, Philip Blackburn’s compositions are nothing short of ambitious attempts to rewild the concert hall. With the release of ORDO, selected from more than four decades of his experimental work, we can now experience his richly musical soundscape tapestries in one sitting.

At the heart of ORDO (Latin, order) lies a profound exploration of the nature of sound, from the harmonious ebb and flow of wind-powered consonance and dissonance to the intricate dialogues between acoustic and digitized worlds. Exploring counterpoint as conversation theory, and the expressive potential of acoustic phenomena, the thirteen tracks are thought-provokingly smooth as they are crunchy—constantly evolving, daringly melodic, and textured with layers that shift like the weather.

Sonic allusions transport listeners from the imagined soundscapes of the Underground Railway, international shipping ports, Victorian silk mills, and car problems, to the beaches of the Normandy Landing. ORDO is not only a musical journey but also a deep exploration of human experience, touching on themes of internalized hate speech, the entropy of death, and the interplay of technology within our lives. The title track, Ordo, sets a version of Aaron Freeman’s celebrated 2005 NPR commentary, Eulogy from a Physicist which describes life vanishing into cosmic heat while maintaining the same total energy.

ORDO defies easy categorization as it embraces influences from a diverse array of musical traditions — Partch, Perotin, Palm Court, Purcell, Raga, Gregorian chant, and more. Blackburn's compositions navigate these references, creating far-reaching elaborations and improvisations that challenge conventional notions of form and emotion.

Through powerful collaborations with artists such as Nirmala Rajasekar, Ryland Angel, Patti Cudd, and Emanuele Arciuli, Blackburn strikes a delicate balance between specific direction and artistic freedom. The astonishing virtuosic feats of groups such as Galan Trio and No Exit New Music Ensemble are also on display.

Gerald Busby's Kantian observation that "Your musical creations deal with the noumena of consciousness more than the phenomena," resonates deeply with the essence of ORDO. The album induces a state of mind that transcends the ordinary. Others have noted, "It stimulates Theta waves in the brain and we lose all sense of time."
With the intricate and technically demanding compositions that challenge performers, ORDO reflects a journey through emotions—from limpid melancholy to high anxiety. The album effortlessly bridges the gap between Indian and Western classical music, classical physics and fluid dynamics, creating a resonant world that breathes, churns, and dissipates.

ORDO is a sonic testament to Blackburn's ability to derive musical language from the very patterns found in nature in all its ambient complexity. The album celebrates the collision of musical worlds, harmonizing just and equal tempered tuning systems, and forming new simultaneities that combine into exotic timbres. ORDO is a mesmerizing mosaic of sound, an alchemical ritual that transforms chaos into order, and a clarion call for listening more carefully – and with greater imagination – to the living world around us.

Philip Blackburn (b. 1962, Cambridge, England) has published more than 700 albums (including six of his own) over thirty years as an arts administrator and label guy (innova and Neuma). He won an ASCAP Deems Taylor Award for his work on Enclosures: Harry Partch. He was awarded fellowships from Civitella Ranieri and the Bush Foundation. He makes his home in Minnesota or Belize, depending on the weather.

credits

released October 21, 2023

Performers include:
Philip Blackburn, instruments and electronics
Nirmala Rajasekar, veena
Ryland Angel, voice
Patti Cudd, vibraphone
NO EXIT New Music Ensemble
Emanuele Arciuli, piano
The Mänk Quartet
Galan Trio
Quey Percussion Duo
Carrie Henneman Shaw, soprano
Zachery Meier, flute and neural activity
Chris Mann, voice
University of Minnesota Solo Improvisers
UCCS Creative Music Ensemble

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about

Philip Blackburn Saint Paul, Minnesota

Philip Blackburn was born in Cambridge, England, and studied music there and at the University of Iowa with Kenneth Gaburo. He is a public artist specializing in sound — a composer/environmental sound-artist. Blackburn’s works have been heard in ships’ harbors, state fairs, forests, and coming out of storm sewers, as well as in galleries, parking lots, and on concert stages.

philipblackburn.com
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